Two years ago, on a brightly lit stage in West L.A., Maria Shriver asks me this: But how? How do you do it? What would you tell someone who wants to slow their life, but can’t? Who feels totally buried already? I pause, blink at the lights. I say something about how there’s no easy
You guys gotta see this! Ken calls. Bee and I are dancing in the laundry room, a morning ritual we’ve fallen into. We play this song, and another, still another, she twirling her stuffed puppy or baby hedgehog or that odd Halloween decoration she’s been sleeping with. Me moisturizing my elbows, applying concealer. Mascara. Coming!
This is the part of my story I didn’t want to write. It’s the part the filmmaker sometimes leaves on the cutting floor, because the character does something to offend, like cracks her gum or runs over a cat with her car, and you think, “Can I finish this movie? Can I get past this